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Cartooning Class #3-- Drawing...

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3. Don't take drawing for granted. It's deep. It can blow your mind if you let it. Please know that I respect other approaches to drawing. I just go with what I think is best. It follows that to me, my way of drawing and thinking about drawing is the best. But that’s just me. I say that because I know I’m going to get a little heavy-handed here. Ahem. Remember that the drawing BEGINS in your mind, so don’t limit yourself at the beginning by small thinking. Drawing isn’t really about rendering something in 2 dimensions. I haven’t seen anything in the real world that is totally and completely flat (don’t argue with me here, I’m trying to make a point). Even a “flat” piece of paper becomes a dynamic form when you pick it up off the table. It bends and moves. Everything exists in some kind of space, and since the human imagination has the capacity to deconstruct and transcend what we know as “reality” we ought not limit ourselves to two dimensions-- especially
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On Sobriety and keeping an eye on your characters . . .

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 Deadpan Stan.     I take so much in stride anymore that I get amazed when I back up and actually reflect on what exactly is going on. I created this character (or maybe “discovered” is a better term) over 20 years ago when I was crafting comics in college. Someday I’ll have to expound more fully on the nature of all the characters I had created over that time. Seeing how they’re all little facets of my own subconscious displaying traits I was ignorant of at the time is just . . . weird.      So Deadpan Stan was an undertaker with a drinking problem that played a kind of Wile E. Coyote vs. Roadrunner game with another character — a mostly naked man with no head. His goal was to capture the obviously dead naked man and put him in the grave where he belonged. Deadpan was never successful. Even when he was able to get the corpse into the ground, the corpse had friends who would dig him out.      After many years marinating in the seasoned wine of time, the spiritual reality (or what oth
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